SEPHARDIC MUSIC:
A CENTURY OF RECORDINGS

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Gramophone

Discography

Label / Number

Artist

Title

Gramophone 4-14651

Della Pergola, Alberto

Askivenu

Gramophone 4-14652

Della Pergola, Alberto

Hosia

Gramophone 4-14653

Della Pergola, Alberto

W'Somro

Gramophone 4-14654

Della Pergola, Alberto

Kadiş

Gramophone 5-13260

Rosa, Mlle.

Me Keres matar Mansevo

Gramophone 5-13261

Mariette, Mlle.

Io so venido de Broussa

Gramophone 6-12589

Algava, Jacob

Djidji

Gramophone 6-12650

Algava, Jacob

Ermanos mis keridos

Gramophone 6-12651

Algava, Jacob

Arvoles de almendra

Gramophone 6-12652

Algava, Jacob

Grande es mi estoria

Gramophone 6-12653

Algava, Jacob

Grande desplazer me azes

Gramophone 6-12654

Algava, Jacob

Madame Gaspar

Gramophone 6-12655

Pessah, Albert

La ermoza dounzelia

Gramophone 6-12656

Pessah, Albert

El gozo

Gramophone 6-12657

Pessah, Albert

Alavassion

Gramophone 6-12658

Pessah, Albert

El marinero

Gramophone 6-12828

Algazi, Isaac

Reyna de la grazia

Gramophone 6-12829

Algazi, Isaac

Alma mia

Gramophone 6-12830

Algazi, Isaac

La Ketuba de la ley

Gramophone 6-12831

Algazi, Isaac

Ombre en qué té lo contienes

Gramophone 6-12834

Algazi, Isaac

Ayom arat olam, hebreu

Gramophone 6-12835

Algazi, Isaac

Ayom arat olam, hebreu

Gramophone 7-212695

Prato, David

Seu Scearim/Scialom Leha Dodi

Gramophone 7-212696

Prato, David

Jona

Gramophone 7-212697

Prato, David

Sciahar

Gramophone 7-212698

Prato, David

Sciohante

Gramophone 7-212699

Prato, David

Atanu

Gramophone 7-212700

Prato, David

El Nora Alila

Gramophone 7-212701

Prato, David

Alleluja

Gramophone 7-212702

Prato, David

Hattikvah

Gramophone 7-212703

Prato, David

Cheduscia

Gramophone 7-212704

Prato, David

Caddisch

Gramophone 10-12892

Algava, Jacob

Una sierta ija

Gramophone 10-12893

Algava, Jacob

La Constitution se dio

Gramophone 11-12059

Algava, Jacob

Ouna notché yo mé armi

Gramophone 11-12060

Algava, Jacob

Venid venid vos contaré

Gramophone 11-12175

Cohen, Elie

El Dio Alto Husseïni

Gramophone 11-12176

Cohen, Elie

Sultana

Gramophone 11-12733

Çakum Effendi

Los amigos me dan espéransa

Gramophone 11-12734

Çakum Effendi

Avre tus ojos i mira

Gramophone 11-12735

Çakum Effendi

Arvoles yoran por luviar

Gramophone 11-12736

Çakum Effendi

Tu sos ermosa

Gramophone 14-12036

Ovanes Efendi

Si nome Amaras

Gramophone 14-12489

Haïm, Isac

Cantes amargos

Gramophone 14-12490

Haïm, Isac

El parido

Gramophone 15-12262

Çakum Effendi

La reyna estava lavrando

Gramophone 15-12263

Çakum Effendi

Mi Dio a ken rogare

Gramophone 15-12264

Çakum Effendi

Ten Piadad Amoroso

Gramophone 15-12265

Çakum Effendi

Carselero i Piadoso

Gramophone 15-12266

Çakum Effendi

Im Afés

Gramophone 15-12267

Çakum Effendi

Bezohri

Gramophone 15-12268

Pessah, Isachino

Unas fuentes sin estanse

Gramophone 15-12269

Pessah, Isachino

El yerno muevo

Gramophone K-8067

Algazi, Léon

Ma tovou

Gramophone K-8067

Algazi, Léon

Scalerica de oro

Gramophone L-1056

Gerberg, Léon

Adonoï molokh

Gramophone L-1061

Gerberg, Léon

Schivo Berokhoss

Gramophone L-1061

Gerberg, Léon

Schivo Berokhoss. (2 Partie)

Recordings Without Catalog Numbers

MATRIX NO.

DIAMETER

ARTIST

TITLE

DATE RECORDED

RECORDING LOCATION

ENGINEER

12757b

 

Pessah, Albert

 

?/03/09

Salonica

Fred W. Gaisberg

308ak

10 inch

Marie, Mlle

Cantos Amargos

31/08/11

Salonica

George W. Dillnutt

310ak

10 inch

Mariette, Mlle.

La reina estava lavrando

31/08/11

Salonica

George W. Dillnutt

311ak

10 inch

Mariette, Mlle.

Reposa mi amoroza

31/08/11

Salonica

George W. Dillnutt

1615y

10 inch

Capoua, Isaac

Malania Trepa de Mada

?/06/10

Smyrna

Arthur S. Clarke

Source (for Recordings without Catalog Number): Michael Aylward

History

The UK Gramophone Company was founded in 1898 as the UK partner of Emile Berliner's United States Gramophone Company, founded five years earlier. The Gramophone Company first recorded in the Ottoman Empire in 1900. In May of that year, the Gramophone engineer William Sinkler Darby visited Belgrade and Bucharest, then recorded Greek and Turkish songs in Constantinople on single-sided, 7-inch records (Kaliviotis; Strötbaum.)

Around 1907, Gramophone opened a regional office in Alexandria. This office handled the company's affairs for the Near East, and issued the Greek and Turkish catalogues, including many of the so-called "Oriental Jewish" recordings discussed in this site (Gronow, 1981.)

In 1907 Gramophone engineers went to Sarajevo and Constantinople, recording masters that quickly found their way onto almost 30 releases. It's surely no coincidence that Gramophone added their first Sephardic titles shortly after Odeon did. The same artists often recorded for several companies; for instance, Jacob Algava recorded for both Odeon and Gramophone. It was also impossible to disguise the very bulky equipment and supplies that recording engineers carried in those days. So Gramophone representatives would certainly have known of Odeon's Sephardic activities in advance of the release date.

After a two-year break, visits by Gramophone engineers to Salonica in March 1909 and Smyrna the following month yielded a new crop of recordings, including the first by the famed cantor Isaac Algazi. Off the beaten track, the expatriate Italian singer and Hazan Alberto della Pergola recorded four Hebrew sides for Gramophone in Bucharest, Romania ca. August, 1913.

Some of these Gramophone Company titles appeared on the Gramophone label, while others were released by the company's Zonophone "budget" label. Altogether, Gramophone had by far the largest roster of Sephardic artists and recording locales of any recording company.

Catalogs

September 1909, Greece

Sources: Michael Aylward; Hugo Strötbaum


September 1909, Turkey

Sources: Michael Aylward; Hugo Strötbaum.


October 1910, Turkey

Sources: Michael Aylward; Hugo Strötbaum


December 1910, Turkey

Sources: Michael Aylward; Hugo Strötbaum


January 1911, Greece

Sources: Michael Aylward; Hugo Strötbaum; Aristomenis Kalyviotis


1914-1915, Romania

Source: Michael Aylward

Copyright 2008 - 2012, Joel Bresler
ALL RIGHTS RESERVED

 

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